Hiding In Plain Sight
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Project Year
2025
Client
Wellcome Trust


As world leaders gathered in Geneva for the 78th World Health Assembly in May 2025, Lazerian unveiled a striking public art series designed to bring attention to one of the world’s deadliest — and most neglected — health emergencies: venomous snakebites.
Every year, up to 138,000 people die from venomous snakebites, with over 400,000 more suffering life-altering injuries. Most victims are farmers, children, and community members in rural, underserved areas — often walking barefoot or in flip-flops. Each step puts them at risk.
Despite the scale of the crisis, snakebite remains largely invisible in global health discussions. Our response: turn that invisibility into undeniable presence.




Commissioned as part of the Strike Out Snakebite (SOS) campaign, Lazerian created five large-scale sculptural snakes, installed across Parc Mon Repos in central Geneva. These works transformed discarded flip-flops — worn by those at risk — into vibrant, symbolic art pieces.
Each sculpture highlights a country heavily affected by snakebite and is handcrafted using recycled footwear sourced from impacted communities. The result is a powerful fusion of sustainability, social commentary, and craft.
Why Flip-Flops?
The flip-flop is both a symbol and a material. It represents the affordability, practicality, and vulnerability of life in snakebite-endemic areas. These lightweight shoes offer little protection — but are often the only option.
By reclaiming discarded flip-flops, we honour the lives behind them: lives lived in quiet resilience and daily risk. The transformation of these objects into large-scale artwork draws urgent attention to both environmental neglect and global health inequality.
Each sculpture is filled with carefully considered details, including the tongues, which have been crafted using the toe posts from the recycled flip-flops. These small but symbolic elements bring a tactile realism to the snakes, while also highlighting the ingenuity and integrity of the material reuse. What once held a foot in place now becomes a flickering symbol of threat — turning everyday waste into a message of resilience, creativity, and transformation.



The Sculptures
Two Punctures (Global)
A 3-metre-tall sculpture representing the universal toll of snakebite, with multicoloured scales made from flip-flops painted in the national colours of the 10 most affected countries, including India, Pakistan, Nigeria, and the Democratic Republic of Congo. Its name is a stark reminder of how just two puncture wounds can take a life.
The vivid camouflage defies the concept of “Hiding In Plain Sight” boldly bringing awareness to the forefront.


The Last Coil (India)
A twisting snake painted in saffron, white, and green — the colours of India’s flag. It represents the 60,000 lives lost annually in India alone. Flip-flop soles are etched with stories and sobering statistics.
The Silent Fang (Pakistan)
Poised in a striking attack position, this sculpture reflects 8,000 annual deaths in Pakistan. It speaks to the deadly silence surrounding snakebite victims in the country.


Bitten Twice (Nigeria)
This sculpture highlights how victims suffer not only from the bite but also from the economic aftershock — lost wages, medical costs, and the absence of accessible healthcare.
Venom’s Whisper (Democratic Republic of Congo)
A sinuous form symbolising the slow, creeping threat of snakebite in the DRC, where thousands die each year with little public awareness or antivenom access.




To deepen the impact, some flip-flops have been intricately engraved with short messages, statistics, and facts about snakebites — often hidden truths that speak volumes. These include the number of deaths per year, the identities of affected communities, and the challenges around accessing treatment.
These engravings reward close inspection and add an intimate, human layer to the larger narrative. They transform the sculptures from visual statements into vessels of storytelling.
Each sculpture is spray-painted in the national colours of the country it represents:
The hero sculpture, Two Punctures, brings all four nations together in a unifying palette — a call for global solidarity in the fight against snakebite.
These colours serve dual purposes: they honour cultural identity and force visibility. They refuse to let this crisis remain in the shadows.

“The aim of our work is to make what has been invisible, visible.” Liam Hopkins


This project was developed in partnership with the Strike Out Snakebite initiative, supported by Wellcome, and coincided with the launch of the Global Snakebite Taskforce — a coalition committed to halving snakebite deaths and disabilities by 2030
Snakebite is a crisis rooted in inequality — where the right to lifesaving treatment is still a privilege. Through art, we help make the invisible visible. These sculptures are not just works of art; they are calls to action — urging investment in antivenoms, protective clothing, public awareness, and healthcare infrastructure.
This installation blends craftsmanship, advocacy, and environmental consciousness. Every flip-flop sole is a recycled material — and every step closer to change. Through these sculptures, we’ve turned data into dialogue and brought the voices of underserved communities into the heart of global decision-making